telling the stories of marginalised voices

Poetry Portfolio

 

Poetry Portfolio

Please find below downloads of my work:
These may be printed out ‘as is’ for use in an academic classroom setting.

 
 
It ends like this…

It ends like this…

It Ends Like This

From How to Wear a Skin by Louisa Adjoa Parker

he wonders why he hadn’t known
but perhaps he did…

 
One girl…

One girl…

One Girl

From How to Wear a Skin by Louisa Adjoa Parker

Her skin is butterscotch Angel Delight
And her hair a nest of spun burnt sugar…

 
Kindness… Photo: Deb Barnes - Unsplash

Kindness…
Photo: Deb Barnes - Unsplash

Kindness

Commended by the National Poetry Competition 2019
poems.poetrysociety.org.uk/poems/kindness/

Instead of you dying, why don’t we go
for that walk, in the woods I couldn’t find…

 
Take back control… Photo: Kamil Mehmood - Unsplash

Take back control…
Photo: Kamil Mehmood - Unsplash

Take Back Control

From How to Wear a Skin by Louisa Adjoa Parker

Take children from their mothers
wrap them in chains and brand their skin . . .

 
Land, real and imagined…

Land, real and imagined…

Land Real and Imagined

From How to Wear a Skin by Louisa Adjoa Parker

Yes, I am from here, really,
but also from there. My feet . . .

 
Velvet Dresses… Photo: Ben Collins - Unsplash

Velvet Dresses…
Photo: Ben Collins - Unsplash

Velvet Dresses

From Salt-sweat Tears by Louisa Adjoa Parker

I want to climb under Dorset’s skin
curl up in her folds, wrap her around me . . .

Commissioned & Writing Residency Poems

Yellow Light, written for the Quay Words residency

A Georgian mansion in Cornwall, Midsummer, commissioned by Your Local Arena

When men plant trees (scroll down page), written in response to James Barnor’s archive, commissioned by Serpentine Gallery

Let the river sing, (text), written as part of the Quay Words residency. Film & Quay Words podcast.

Sweet as moonlight, commissioned by the RAMM Museum, Exeter

We know these words, (film), commissioned by State of Emergency